The unstoppable, ever-evolving tenor saxophonist Ivo Perelman’s concept is both simple and profound in equal measure. The simple part is inviting musicians to play with him without any preconceived notions of what the music will sound like. The profundity lies in the music-making itself. With the resources to record and release all these encounters with the deep bench of compatible musicians in the New York area, Perelman over the last few years has been astonishingly prolific. It’s hard for this reviewer to keep up, but his work demands attention, and a prolonged exposure to his music is an experience to be savored. So spend a weekend with Ivo and friends: you won’t regret it.
Perelman followed his Art Of The Improv Trio bonanza with another lengthy series of compact discs. The seven discs in The Art Of Perelman-Shipp series feature Perelman in various combinations with pianist Matthew Shipp, with whom he appears to have an telepathic connection. Each set in the series features the pair in different combinations. The Art Of Perelman-Shipp, Volume 1: Titan begins this bonanza with a trio of Perelman, Shipp and master bassist William Parker. Parker has worked extensively with both of them on numerous recording projects dating back to 1996's Cama De Terra, a Homestead Records release by the same trio. Together, this trio makes intensely playful and bold music. The first five sections of this session are relatively short, between 4 and 7 minutes, revealing a range of expression that includes hints of swing in Part 2, the three-way chase of Part 3, and the lyrical and dreamy Part 5. The finale is nearly 20 minutes long, beginning with a graceful and subdued passage with Parker wielding his bow. The music remains alluringly peaceful for a spell, gradually increasing in intensity with the deft interactions. A perfect example of Perelman’s art, and a great way to start a Perelman marathon.
Leo CD LR 794; Ivo Perelman (ts) Matthew Shipp (p) William Parker (b); Brooklyn, NY, October 2016; Parts 1-6; 49:46. www.leorecords.com
Stuart Kremsky was the San Francisco “Short Takes” correspondent for Cadence magazine from 1979-2007. His reviews have appeared in Option, Sound Choice, Cadence, and the IAJRC Journal. He was a sound man at the fabled Keystone Korner and for over ten years was the tape archivist for Fantasy Records, where his production credits include boxed sets of Sonny Stitt, Dexter Gordon, the Modern Jazz Quartet and the Grammy-nominated Sam Cooke With the Soul Stirrers. Email skremsky1 (at) gmail.com
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