Pianist David Kikoski leads a quartet with Eric Alexander on tenor, Peter Washington on bass, and Joe Farnsworth on drums on Phoenix Rising, his debut release for HighNote Records. No surprise given these personalities, but the band is swinging like mad on the opening title track, co-composed by Kikoski and Alexander. It’s also no surprise that they keep it up throughout this winning session. Kikoski, who has been heard on many recordings since his debut with drummer Fabio Jegher in 1982, is probably best known for his extended relationship with the great drummer Roy Haynes from the mid-Eighties through the early part of this century. To my mind, no one needs a stronger recommendation than the imprimatur of Mr. Haynes to seriously spend some time with Kikoski and friends. Except for the opening track, and Alexander’s Kik It, a jumping blues that follows it, the repertoire is a considered selection of standards plus John Coltrane’s Lazy Bird. Jimmy Webb’s Wichita Lineman, made famous by Glen Campbell in 1968, may raise a few eyebrows, but a quick glance at a discography tells me that it’s been recorded over 50 times by jazz musicians, including J.J. Johnson, Freddie Hubbard, and Sonny Stitt. From Kikoski’s lush introduction, it’s easy to hear why it’s so appealing: a fascinating chord progression, a memorable melody and a sense of drama, even without the lyrics. The quartet does it justice, at just about the original tempo, with Kikoski and Alexander soloing in a relaxed manner. Save for the two originals, the balance of the program is older than Webb’s classic, and from the straightforwardly swinging way that everyone’s playing, you could be forgiven for listening to this disc blindly and thinking that the music is thirty or forty years old. Respecting the tradition, of course, is far from a bad thing, especially when the match of players and program is as well-designed as it is here. Standout tracks include a romp through If I Were a Bell, in the Miles Davis arrangement but with the twist of an extra tag, a rollicking version of Love For Sale, and a supersonically charged look at Lazy Bird, with Alexander and Kikoski deftly navigating this classic theme. But truth to tell, you really can’t grow wrong dipping into this CD anywhere. Alexander and Kikoski have been pals for years, but this is the first time that the two have recorded together. Here’s looking forward to more collaborations from this well-matched pair. Easily recommended.
HighNote HCD 7328; Eric Alexander (ts) David Kikoski (p) Peter Washington (b) Joe Farnsworth (d); Englewood Cliffs, NJ, December 20, 2018; Phoenix Rising/ Kik It/ Wichita Lineman/ If I Were a Bell/ Emily/ Love for Sale/ My One and Only Love/ Lazy Bird/ Willow Weep for Me; 59:16. www.jazzdepot.com
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