Stuart Kremsky was the San Francisco “Short Takes” correspondent for Cadence magazine from 1979-2007. His reviews have appeared in Option, Sound Choice, Cadence, and the IAJRC Journal. He was a sound man at the fabled Keystone Korner and for over ten years was the tape archivist for Fantasy Records, where his production credits include boxed sets of Sonny Stitt, Dexter Gordon, the Modern Jazz Quartet and the Grammy-nominated Sam Cooke With the Soul Stirrers. Email skremsky1 (at) gmail.com
Showing posts with label Dave Liebman. Show all posts
Showing posts with label Dave Liebman. Show all posts
Thursday, August 29, 2019
Dave Liebman/ Adam Rudolph/ Hamid Drake: CHI
Improvisation must be as old as music itself. After all, the first sounds we might recognize as musical arose from nothing. But of course, the tools have changed radically over the millennia, and the deeply conjoined trio of Dave Liebman, Adam Rudolph, and Hamid Drake uses anything they can to create something from nothing on their new CD, CHI. Saxophones, an array of percussion instruments from around the world, voices, electronics, and the occasional piano meet in a invigorating display of instant communication. Rudolph and Drake go back a long way together, to their time in the Mandingo Griot Society in the late Seventies. And since the late Sixties, Dave Liebman has established himself on hundreds of recordings as a free spirit and a reliably potent musical force. Their improvisations here range from under 3 minutes for the introductory Becoming to the quarter-hour of Emergence, and the titles they’ve assigned to their free-wheeling inventions are roughly descriptive of the music. Thus Flux is mostly a continuous changing flow with some intense drumming and an aggressive soprano saxophone solo. Continuum builds on Drake’s cymbal beat and Rudolph’s hand drums, with a keening saxophone emerging after two minutes and leading the way into a passionate musical conversation. The carefully sculpted Formless Form features Liebman’s slightly hesitant piano and steady but delicate percussion. Percussion dominates the first section of Emergence. Liebman enters with a sinuous soprano line, and the piece slowly builds to a exciting three-way improvisation. The sax drops out, the drummers engage one another, and the mood changes for a while into a more pastoral kind of feeling before revving up again and slowly drifting off. Whirl ends the program of nearly an hour with a piece centered on Rudolph’s sintir, a bass lute used by the Gnawa people of northern Africa. His swirling bass lines meld with Drake’s frame drum and lilting saxophone lines from Liebman to create a mellow conclusion to their encounter. Recommended.
RareNoise RNR102; Dave Liebman (ss, ts, p on *, wooden recorder) Adam Rudolph (hand drumset [kongos, djembe, tarija], p on #, sintir, multi-phonic vcl, perc, elec) Hamid Drake (d, vcl, frame drum, perc); NYC, May 8, 2018; Becoming#/ Flux/ Continuum/ Formless Form*/ Emergence / Whirl; 56:00. www.rarenoiserecords.com
Tuesday, October 9, 2018
Dave Liebman, Tatsuya Nakatani, & Adam Rudolph: The Unknowable
The distinct aura of ritual permeates The Unknowable, a tantalizingly edgy session by the trio of Dave Liebman, Tatsuya Nakatani, & Adam Rudolph. Liebman, heard mostly on tenor or soprano saxophones, also plays a couple of flutes, recorder, piri (a double-reed instrument from Korea), and on one piece, a Fender Rhodes electric piano, while Nakatani and Rudolph perform on a roomful of percussion, with drums and other noisemakers from around the globe. Arising from a central core of innate trust among the three musicians, these spontaneous compositions are short and focused. The pieces are also generally quieter than you might expect from a saxophone and percussion lineup. Among my favorite tracks are the energizing workout of The Simple Truth, Present Time, which features Liebman’s blazing tenor sax and Rudolph’s forceful congas with an overlay of electronic flavor, and the jagged Premonition with Liebman’s boldly expressive tenor over percussive clatter. Liebman’s many fans will find much here to enjoy.
RareNoise RNR089; Dave Liebman (ts, ss, C fl, Native American fl, recorder, piri, Fender Rhodes el p on *) Tatsuya Nakatani (d, gongs, metal perc, perc) Adam Rudolph (handrumset [cga, djembe, tarija, zabumba], thumb p, sintir, mbuti harp, slit drum, perc, overtone flutes, Fender Rhodes el p on #, live elec processing); West Orange, NJ, July 2016; Benediction (Opening)/ The Simple Truth/ Late Moon/ The Unknowable/ Skyway Dream/ Transmutations/ The Turning/ Present Time/ Distant Twilight/ Iconographic*/ Cosmogram#/ Premonition/ Benediction (Closing); 48:57. www.rarenoiserecords.com
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