The members of the Esbjörn Svensson Trio were very pleased with their October 2001 performance in Sweden, and now, with the release of e.s.t. Live in Gothenburg, we get the opportunity to hear e.s.t. on an extraordinarily good night. Recorded with great clarity and precision by the trio’s long-time sound engineer, Åke Linton, pianist Svensson, bassist Dan Berglund and drummer Magnus Öström were then between their fifth and sixth studio releases after playing together for eight years. The late Svensson was a boldly talented keyboard artist, with a style that had echoes of Keith Jarrett, classical music, Monk, Bill Evans, the blues, and much more. For this hard-working unit, Svensson provided plenty of original melodies, drawn on this night from 1999's From Gagarin’s Point Of View and 2000's Good Morning Susie Soho. As he told an interviewer in 2004, he’s “the composer of the songs. I work with the material, basically at home.” The trio would then steer the tunes in different directions in the studio, then tinker and reinvent them further in performance. On this night in the Gothenburg Concert Hall, the band sounds truly inspired. The playing sparkles, the unit's interactions are playful and lively, and the energy of an engaged and enthusiastic audience is clearly felt. Not to be missed by anyone with any interest in the possibilities of the piano trio. Strongly recommended. ACT 9046; Esbjörn Svensson (p) Dan Berglund (b) Magnus Öström (d); Gothenburg, Sweden, October 10, 2001; Disc 1 (46:48): Dating/ Somewhere Else Before/ The Rube Thing/ From Gagarin's Point Of View/ The Wraith. Disc 2 (60:00): / Providence/ Good Morning Susie Soho/ The Chapel/ Bowling/ The Second Page/ Dodge The Dodo. actmusic.com
Stuart Kremsky was the San Francisco “Short Takes” correspondent for Cadence magazine from 1979-2007. His reviews have appeared in Option, Sound Choice, Cadence, and the IAJRC Journal. He was a sound man at the fabled Keystone Korner and for over ten years was the tape archivist for Fantasy Records, where his production credits include boxed sets of Sonny Stitt, Dexter Gordon, the Modern Jazz Quartet and the Grammy-nominated Sam Cooke With the Soul Stirrers. Email skremsky1 (at) gmail.com
Showing posts with label ACT Music. Show all posts
Showing posts with label ACT Music. Show all posts
Thursday, December 5, 2019
Esbjörn Svensson Trio: e.s.t. Live in Gothenburg
The members of the Esbjörn Svensson Trio were very pleased with their October 2001 performance in Sweden, and now, with the release of e.s.t. Live in Gothenburg, we get the opportunity to hear e.s.t. on an extraordinarily good night. Recorded with great clarity and precision by the trio’s long-time sound engineer, Åke Linton, pianist Svensson, bassist Dan Berglund and drummer Magnus Öström were then between their fifth and sixth studio releases after playing together for eight years. The late Svensson was a boldly talented keyboard artist, with a style that had echoes of Keith Jarrett, classical music, Monk, Bill Evans, the blues, and much more. For this hard-working unit, Svensson provided plenty of original melodies, drawn on this night from 1999's From Gagarin’s Point Of View and 2000's Good Morning Susie Soho. As he told an interviewer in 2004, he’s “the composer of the songs. I work with the material, basically at home.” The trio would then steer the tunes in different directions in the studio, then tinker and reinvent them further in performance. On this night in the Gothenburg Concert Hall, the band sounds truly inspired. The playing sparkles, the unit's interactions are playful and lively, and the energy of an engaged and enthusiastic audience is clearly felt. Not to be missed by anyone with any interest in the possibilities of the piano trio. Strongly recommended. ACT 9046; Esbjörn Svensson (p) Dan Berglund (b) Magnus Öström (d); Gothenburg, Sweden, October 10, 2001; Disc 1 (46:48): Dating/ Somewhere Else Before/ The Rube Thing/ From Gagarin's Point Of View/ The Wraith. Disc 2 (60:00): / Providence/ Good Morning Susie Soho/ The Chapel/ Bowling/ The Second Page/ Dodge The Dodo. actmusic.com
Thursday, July 26, 2018
Joachim Kühn New Trio: Love & Peace
Pianist Joachim Kühn has been a recording artist since he first appeared on an album by trumpeter Werner Pfuller back in January 1963. That was before the Sixties period of Love & Peace, the title of the latest release by the Joachim Kühn New Trio. Bassist Chris Jennings and drummer Eric Schaefer are about 30 years younger, so that period of culture is before their time. In a sense, The Crystal Ship, a 1967 song by the Doors, is just as much a part of musical history as Mussogorsky’s 1884 suite Pictures At an Exhibition, from which Le Vieux Chateau is excerpted. For Kühn, this disc is about “strong melodies that you can give a shape to.” The contours that the trio sculpts are by and large on the relaxed side, like the gentle flow of the brief title track which opens the disc. I rather like the way that Kühn has altered the Doors tune to fit his purposes for this trio, finding hitherto unexplored emotional depths in the melody. The ravishing piano opening of Mustang leads us to a middle-tempo number with the bluesy flavor of a folk song. With a minimalist Jennings on bass and a basic beat from Schaefer, Kühn has plenty of room to strut his stuff. For Schaefer and Jennings, that sort of subordinate support is what they do best, at any tempo. But Strokes of Folk builds up quite a head of steam, and Casbah Radio, too, swings harder than most of the other tracks, with an unfettered Kühn delighting in the bluesy groove that composer Schaefer lays down. Ornette Coleman’s Night Plans was first heard on Colors, the saxophonist’s 1996 duet session with Kühn. Here the trio dissects it at a stately pace with the focus on the melody. Schaefer’s thumpy and repetitive drum part for Kühn’s own New Pharoah distracts mightily from the ceremonial sounding melody, making it the disc’s low point. The album concludes with another Kühn original, the smoking Phrasen whose melody has a distinctly Ornette Coleman flavor. After a spiky arco bass solo at the start, this six and a half minute romp features strong interplay and exciting solos all around. Except for that one lapse, Love & Peace is a pleasing set of piano jazz, with many exciting passages thanks to the fleet hands of Joachim Kühn.
ACT 9861; Joachim Kühn (p) Chris Jennings (b) Eric Schaefer (d); Pernes-les-Fontaines, France, May 15-16, 2017 ; Love and Peace/ Le Vieux Chateau/ The Crystal Ship/ Mustang/ Barcelona - Wien/ But Strokes of Folk/ Lied ohne Worte No. 2/ Casbah Radio/ Night Plans/ New Pharoah/ Phrasen; 46:38. www.actmusic.com
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