Sunday, January 26, 2025

Classic Vanguard Small Group Sessions


  When I first ran across some compilation CDs in 2002 by Sir Charles Thompson and Jimmy Rushing on the Vanguard label, I did a double-take. The sessions date from the early to mid Fifties, and I had never even known of their existence until then. I’d always thought of Vanguard Records as a folk-oriented label with artists like Joan Baez, Buffy Saint Marie, and Ian & Sylvia, with a few Country Joe and The Fish releases in the late Sixties. Now Mosaic Records has come to the rescue, by compiling the Classic Vanguard Small Group Sessions. It turns out that most of the music on the 7 CDs in the set has never been reissued in any format, and the generally high quality of the swing-oriented music makes this a treasure chest of largely forgotten releases. All the sessions were produced by the legendary John Hammond, a larger than life figure who played a major role in American popular music for decades starting in the 1930's. Thomas Cunniffe’s booklet essay details the complicated story that led to Hammond’s association with Vanguard. Hammond was assisted on some of the earlier dates by Nat Hentoff, a columnist for Down Beat magazine at the time.

Originally released on 10" or 12" lps, all the music (aside from the final session, a live recording from Count Basie’s nightclub in Harlem) was recorded by the Brooklyn Masonic Temple with a single microphone some thirty feet above the stage. In general, the sound quality is surprisingly good, well balanced with clear separation of the instruments. The biggest names in this compilation are tenor saxophonists Buddy Tate, Frank Foster, Lucky Thompson, and Coleman Hawkins, drummer Jo Jones, bassist Walter Page and vocalist Jimmy Rushing from the Count Basie band, pianist Hank Jones, guitarist Kenny Burrell, and trumpeters Buck Clayton and Ruby Braff, although even some of these figures from the past will be known mostly to serious jazz fans. 

The Fifties were an interesting time in the history of jazz, when hard bop (like the music of Art Blakey and Horace Silver) and the more mainstream sound of the bands in this set largely coexisted, albeit with different audiences. Tenormen Coleman Hawkins, Lester Young, and Ben Webster were still active, while modernists like John Coltrane, Sonny Rollins, Hank Mobley, and Benny Golson were starting to make names for themselves. Add in technological developments, like the use of tape recording, 10 & 12-inch lps, and later in the decade, the beginning of stereophonic reproduction, and it’s clear that this was a heady and complicated time for music. Swing-era musicians had to adapt to longer playing times after a lifetime of making sides that lasted for 4 minutes or less, and record companies also had to cope with the new realities of recording and releasing music. 

To these ears, the stars of this collection are trumpeter Ruby Braff, with his beautiful tone and thoughtful improvisations, the nearly forgotten pianist Sir Charles Thompson and his delightful sense of swing, the always pleasing “Mr. Five By Five,” Jimmy Rushing, and the influential drummer Jo Jones. The Basie veteran powers sessions by trombonist Vic Dickenson, trumpeters Braff and Clayton, and all three sessions featuring Jimmy Rushing. The collection also includes Jones’ first date as a leader, with Count Basie himself at the piano bench for two takes of Shoe Shine Boy. In the best Mosaic tradition, there’s one unreleased track, an alternate take of Kandee from Buck Clayton’s July 1, 1954 session. And there’s more to come, with a projected second collection of Vanguard Piano Jazz Showcase highlights, featured more Jo Jones and Sir Charles Thompson, plus Mel Powell and three duet albums by Ruby Braff and pianist Ellis Larkins. Unhesitatingly recommended. 

Mosaic MD7-280; Disc 1 (74:45): (A) Vic Dickenson Septet (12/29/53); (B) Vic Dickenson Septet (11/29/54); Disc 2 (62:49): (B) Vic Dickenson Septet, concluded; (C) Ruby Braff Sextet (10/17/5); Disc 3 (73:33): (D) Sir Charles Thompson Sextet (12/30/53); (E) Sir Charles Thompson and His Band (8/16/54); (F) Joe Newman and His Band (3/9/54). Disc 4 (80:01): (G) Buck Clayton’s Band (featuring Ruby Braff) (7/1/54); (H) Buck Clayton (3/14/57). Disc 5 (70:14): (I) Jo Jones (8/11/55); (J) Jimmy Rushing’s All Stars (12/1/54); Disc 6 (68:00): (K) Jimmy Rushing and His All Stars (8/16/55); (L) Jimmy Rushing (3/5/57); Disc 7 (70:55): (L) Jimmy Rushing, concluded; (M) Various Artists: A Night At Count Basie’s (10/22/56). For complete discographical details, go here. Limited to 5,000 sets; available from www.mosaicrecords.com

Monday, January 6, 2025

Miles Davis Quintet: Miles In France, 1963 & 1964: The Bootleg Series, Vol. 8


  The latest entry in Columbia’s Miles Davis bootleg series takes us back to the early Sixties with the Miles Davis Quintet on Miles In France, 1963 & 1964: The Bootleg Series, Vol. 8. There are three 1963 concerts, recorded on successive days in July at the Festival Mondial Du Jazz in Antibes, and two concerts in Paris from one night in 1964. On the 1963 date, the quintet had George Coleman on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums. Coleman had only been in the band for a year and a half by this time, and the rhythm section started working together in May 1963. Coleman was followed, briefly, by Sam Rivers for a tour of Japan in July 1964. Then it was the turn of Wayne Shorter and what’s often called the Second Great Miles Davis Quintet. Although there have various stories about the rhythm section sometimes giving Coleman a hard time on the bandstand, in an interview for this release, he notes that he “was able to stay flexible and be more creative with Miles.” He adds that “Things really worked out good for me in that band ...” Shorter had been in the group less than a month by the time the Miles Davis Quintet returned to France to perform at the Paris Jazz Festival at the beginning of October 1964, not nearly enough time for new additions to the repertoire. The quintet’s European tour lasted until October 11, and when they into the studio to record E.S.P. in January 1965, there was a batch of new tunes written by the individuals in the group.

Miles, who seemed especially inspired when playing in France, is in extremely good form, bold and assertive on the faster numbers and breathtakingly lyrical on the slower tunes. The rhythm section seemingly jelled through some magic spell, or maybe it was just the energy of a teenage Tony Williams. The sound, even if it’s all in mono, is clear enough to offer the opportunity to listen closely to Williams near the start of his career. Another pleasure of the current collection is the chance to hear two excellent saxophonists grapple with some of the same material, like Victor Feldman’s Joshua and a frequently played favorite of the era, Walkin’ (usually credited to Richard Carpenter, but probably composed by Jimmy Mundy). Before this release, the only official release of Shorter performing this repertoire was the Miles In Berlin album, which originally came out only in Germany. Of the five concerts in this set, only the second Antibes show has previously been released. However, the music came out in pieces on various albums over a four-decade span, starting with 1964's Miles Davis In Europe. The only previous issue of the entire show was as part of Seven Steps To Heaven: The Complete Miles Davis Columbia Recordings, 1963-1964.

The muted black-and-white design of the package is in contrast with the fiery and passionate music of Miles and his band. The booklet includes plenty of photos of the bands onstage, along with a short essay by Marcus J. Moore and excerpts from interviews that Moore conducted with George Coleman and Ron Carter. Happily recommended, naturally. 

Columbia/Legacy 19802-80168-1 [LPx8), 19802-80167-2 [CDx6]; Miles Davis (tpt) George Coleman (1963) or Wayne Shorter (1964) (ts) Herbie Hancock (p) Ron Carter (b) Tony Williams (d); Antibes, France, July 26, 1963; Introduction by Andre Francis/ So What/ All Blues/ Stella By Starlight/ Seven Steps to Heaven/ Walkin’/ My Funny Valentine/ Joshua/ The Theme/ Closing announcement by Andre Francis. (83:22); Antibes, France, July 27, 1963; Introduction by Andre Francis/ Autumn Leaves/ Milestones/ I Thought About You/ Joshua/ All of You/ Walkin’/ Bye Bye Blackbird/ The Theme (103:37); Antibes, France, July 28, 1963; Introduction by Andre Francis/ If I Were a Bell/ So What/ Stella By Starlight/ Walkin’/ The Theme (62:18); Paris, France, October 1, 1964; First concert: Autumn Leaves/ So What/ Stella By Starlight/ Walkin’/ The Theme. Second concert: All of You/ Joshua/ My Funny Valentine/ No Blues/ The Theme (98:52). www.legacyrecordings.com

Friday, January 3, 2025

2024: The Year In Music

2024 was another depressing year, and 2025 promises (threatens) to be even worse. 

But at least there was a lot of great music to listen to. Here are my choices of new releases, debut recordings, and archival discoveries and reissues:

New Releases

BassDrumBone - Afternoon (Auricle)

George Cables - I Hear Echoes (HighNote)

Phillip Golub - Abiding Memory (Endectomorph Music)

Rich Halley 4 - Dusk And Dawn (Pine Eagle)

Tom Harrell - Alternate Summer (HighNote)

Darius Jones - Legend of e’Boi (The Hypervigilant Eye) (AUM Fidelity)

Ivo Perelman/Chad Fowler/Reggie Workman/Andrew Cyrille - Embracing The Unknown (Mahakala Music)

Ivo Perelman/Mark Helias/Tom Rainey - Truth Seeker (Fundacja Słuchaj)

Marta Sanchez Trio - Perpetual Void (Intakt)

Matthew Shipp Trio - New Concepts In Piano Trio Jazz (ESP-Disk)

Jason Stein/Marilyn Crispell/Damon Smith/Adam Shead - spi-raling horn (Balance Point Acoustics/Irritable Mystic)

Tarbaby - You Think This America (Giant Step Arts)

Nasheet Waits - New York Love Letter (Bitter Sweet) (Giant Step Arts)

Debut Recordings

John Alvey - Loft Glow (Jazz Music City)

Mathias Højgaard Jensen - Is As Is (Fresh Sound New Talent)

Archival Discoveries

Alice Coltrane - The Carnegie Hall Concert (1971; Impulse!)

Bobby Hutcherson - Classic Bobby Hutcherson Blue Note Sessions 1963-1970 (Mosaic)

Art Pepper - The Complete Maiden Voyage Recordings (1981; Omnivore)

Sun RaLights on a Satellite: Live at the Left Bank (1978; Resonance)

Emily Remler - Cookin’ At The Queens (1984 &1988; Resonance)

Sonny Rollins Trio - Freedom Weaver (The 1959 European Tour Recordings) (Resonance) 

McCoy Tyner/Joe Henderson - Forces Of Nature : Live At Slugs’ (1966; Blue Note)

Mal Waldron and Steve LacyThe Mighty Warriors: Live in Antwerp (1995; Elemental)

Many thanks, as always, to all the musicians and recording engineers involved. And a special shout-out to all the publicists who keep me busy!